Philosophical Meaning of Nietzsche's and Habermas' aesthetics. Consquences and limits
DOI:
https://doi.org/10.62876/lr.v0i19/20.2752Keywords:
Metaphysics, nihilism, modern reason, post-metaphysical thought, art, aestheticsAbstract
The text includes, besides the introduction and conclusions, three parts: Habermas, a critic of Nietzsche. 2. Nietzsche, a critic of modern reason as a hegemonic power. 3. Habermas versus Nietzsche or Nietzsche ancestor of Habermas on the critique of reason? Since Habermas con- considered Nietzsche the first of the postmodern, we analyze in what sense is wrong and what Habermas, however, considered rightly Nietzsche a pioneer of the critique of modern reason.
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Published
2015-12-16
How to Cite
De La Vega, M. (2015). Philosophical Meaning of Nietzsche’s and Habermas’ aesthetics. Consquences and limits. Lógoi. Revista De Filosofia, (19/20). https://doi.org/10.62876/lr.v0i19/20.2752
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