Philosophical Meaning of Nietzsche's and Habermas' aesthetics. Consquences and limits

Authors

  • Marta De La Vega USB UCAB

DOI:

https://doi.org/10.62876/lr.v0i19/20.2752

Keywords:

Metaphysics, nihilism, modern reason, post-metaphysical thought, art, aesthetics

Abstract

The text includes, besides the introduction and conclusions, three parts: Habermas, a critic of Nietzsche. 2. Nietzsche, a critic of modern reason as a hegemonic power. 3. Habermas versus Nietzsche or Nietzsche ancestor of Habermas on the critique of reason? Since Habermas con- considered Nietzsche the first of the postmodern, we analyze in what sense is wrong and what Habermas, however, considered rightly Nietzsche a pioneer of the critique of modern reason.

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Author Biography

Marta De La Vega, USB UCAB

martade_la_vega@yahoo.es

delavega@usb.ve

Published

2015-12-16

How to Cite

De La Vega, M. (2015). Philosophical Meaning of Nietzsche’s and Habermas’ aesthetics. Consquences and limits. Lógoi. Revista De Filosofia, (19/20). https://doi.org/10.62876/lr.v0i19/20.2752