<?xml version="1.0" encoding="utf-8"?>
<doi_batch xmlns="http://www.crossref.org/schema/4.3.6" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1" xmlns:ai="http://www.crossref.org/AccessIndicators.xsd" version="4.3.6" xsi:schemaLocation="http://www.crossref.org/schema/4.3.6 https://www.crossref.org/schemas/crossref4.3.6.xsd">
  <head>
    <doi_batch_id>_1770304407</doi_batch_id>
    <timestamp>20260205111327000</timestamp>
    <depositor>
      <depositor_name>Universidad Católica Andrés Bello</depositor_name>
      <email_address>lucacere@ucab.edu.ve</email_address>
    </depositor>
    <registrant>Universidad Católica Andrés Bello </registrant>
  </head>
  <body>
    <journal>
      <journal_metadata>
        <full_title>Revista Temas de Comunicación (IDICI-UCAB)</full_title>
        <abbrev_title>Temas Comun. </abbrev_title>
        <issn media_type="electronic">2443-4302</issn>
        <issn media_type="print">0798-7803</issn>
      </journal_metadata>
      <journal_issue>
        <publication_date media_type="online">
          <month>06</month>
          <day>16</day>
          <year>2025</year>
        </publication_date>
        <issue>50</issue>
        <doi_data>
          <doi>10.62876/tc.vi50</doi>
          <resource>https://revistasenlinea.saber.ucab.edu.ve/index.php/temas/issue/view/706</resource>
        </doi_data>
      </journal_issue>
      <journal_article xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1" xmlns:ai="http://www.crossref.org/AccessIndicators.xsd" publication_type="full_text" metadata_distribution_opts="any" language="es">
        <titles>
          <title>La educación como inspiración artística: desde la colonia hasta la contemporaneidad</title>
        </titles>
        <titles>
          <title>Education as artistic inspiration: from colonial to contemporary times</title>
        </titles>
        <contributors>
          <person_name contributor_role="author" sequence="first" language="es">
            <given_name>Dianora</given_name>
            <surname>Pérez Montilla</surname>
            <alt-name>
              <name language="en">
                <surname>Pérez Montilla</surname>
                <given_name>Dianora</given_name>
              </name>
            </alt-name>
          </person_name>
        </contributors>
        <jats:abstract xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1" xml:lang="es">
          <jats:p>Esta investigación parte de la necesidad de encontrar en la educación un motivo de inspiración, considerando el arte como un medio para verla presentada y representada desde los elementos simbólicos que le caracterizan. El objetivo es revisar la historia de las artes plásticas en Venezuela para destacar a los artistas que, desde el siglo XVIII, hayan abordado explícitamente la temática de la enseñanza en sus obras. Una perspectiva poco explorada hasta el momento, porque los estudios se centran en la relación artista-docente. La metodología empleada se basa en la revisión documental y se complementa con diálogos con artistas contemporáneos, desde un enfoque histórico-contextual, para seleccionar y analizar sus obras. A partir de estos elementos teóricos prácticos, se construye una reflexión sobre el progreso de los símbolos educativos y cómo han sido comprendidos según su contemporaneidad.</jats:p>
        </jats:abstract>
        <jats:abstract xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1" xml:lang="en">
          <jats:p>This research starts from the need to find in education a motive of inspiration, considering art as a means to see it presented and represented from the symbolic elements that characterize it. The objective is to review the history of the visual arts in Venezuela in order to highlight artists who, since the 18th century, have explicitly addressed the theme of education in their works. A perspective little explored so far, because the studies focus on the artist-teacher relationship. The methodology used is based on documentary review and is complemented with dialogues with contemporary artists, from a historical-contextual approach, to select and analyze their works. From these practical theoretical elements, a reflection on the progress of educational symbols and how they have been understood according to their contemporaneity is constructed.</jats:p>
        </jats:abstract>
        <publication_date media_type="online">
          <month>06</month>
          <day>16</day>
          <year>2025</year>
        </publication_date>
        <pages>
          <first_page>31</first_page>
          <last_page>50</last_page>
        </pages>
        <ai:program xmlns:ai="http://www.crossref.org/AccessIndicators.xsd" name="AccessIndicators">
          <ai:license_ref>https://creativecommons.org/licenses/by-nc-sa/4.0</ai:license_ref>
        </ai:program>
        <doi_data>
          <doi>10.62876/tc.vi50.7610</doi>
          <resource>https://revistasenlinea.saber.ucab.edu.ve/index.php/temas/article/view/7610</resource>
          <collection property="crawler-based">
            <item crawler="iParadigms">
              <resource>https://revistasenlinea.saber.ucab.edu.ve/index.php/temas/article/download/7610/9385</resource>
            </item>
          </collection>
          <collection property="text-mining">
            <item>
              <resource mime_type="application/pdf">https://revistasenlinea.saber.ucab.edu.ve/index.php/temas/article/download/7610/9385</resource>
            </item>
          </collection>
        </doi_data>
      </journal_article>
    </journal>
  </body>
</doi_batch>
